THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant Use the film to educate young people about racial vilification at a grassroots level and continue outreach to ensure The Final Quarter continues to have a long-term and lasting legacy. Every film uses different techniques to create meaning throughout the film. 0000019988 00000 n Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Considers how the media influences audience perspectives through the use of language and point of view. 0000081321 00000 n The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. 0000009450 00000 n %PDF-1.4 % The Final Quarter is the best Australian documentary ever made, A powerful work that stirs deep emotions., It is brilliant work, and a must-watch., A compelling, often devastating, documentary, You dont have to care about football for this movie to hit home., Shark Island Institute acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of Country and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? The Final Quarter takes a confronting look at the controversies that marred the Sydney star's exit from the game and is an opportunity to reconsider what happened on and off the football field. The second Goodes-focused doco, The Australian Dream, will surface in August. Editor: Sally Fryer [8] Many clubs and players in the AFL supported Goodes in the week of his leave. 0000001644 00000 n The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. Synopsis +: 410@ v[[J2s1nY(x1F?F^V,pnhpi|&N.]L*^{F\`\00-KPaoPJ00 @ n` endstream endobj 345 0 obj <>/Filter/FlateDecode/Index[25 274]/Length 31/Size 299/Type/XRef/W[1 1 1]>>stream A tale of two Adam Goodes films: docos on AFL legend put racism in big picture, AFL club bosses to watch Adam Goodes documentary, Original reporting and incisive analysis, direct from the Guardian every morning. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. 0000010553 00000 n The spectator, who turned out to be a 13-year-old girl, was promptly escorted from the stands by security, but in the aftermath Goodes was accused of victimizing and publicly humiliating a teenager. How do you think this film is relevant for Australia today? Some elements that are used are mise en scene, cinematography, editing, and the soundtrack. He did not participate in a final parade for retiring players as he feared that he would be booed again. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. Investigates different forms of racism and challenges us to interrogate and confront attitudes and behaviours. 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There are many themes, concepts and events in the film that teachers need to be aware of and reflect upon so that they can provide sufficient safety and support for students. Explores what it means to be Australian, and how we express our individual and collective identities. consider the various ways mood and meaning are created in archival documentaries. We want all Australians to feel they belong and that they have a stake in the game. The Final Quarter Film Timings and Questions 01:00:00 - Warning and intro 01:01:14 - Sam Newman speaks to Adam via camera 01:01:57 - 'racist' definition 01:02:00 - Nathan Buckley and AFL 360 01:02:31 - Sam Newman on gay pride game Opportunity to pause and discuss important ideas and themes. The Hollywood Reporter is a part of Penske Media Corporation. [8][9][10], During a match against Carlton in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. (2019). The girl phoned to apologise, saying that she hadn't realised the impact of her words. Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. The filmmakers sympathies are not in doubt, though his decision to avoid talking heads relying instead on contemporaneous television coverage makes his case stronger by giving all the fulminators enough rope to hang themselves. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. It was produced by Shark Island trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream Next steps in 2020: Distribute a DVD and educational resources to every principal of every high school in Australia, as well as every junior and senior sporting club with access to the film, and continue community outreach. Investigates the archival documentary technique used in. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. Critic Reviews for The Final Quarter. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. [12] He returned the following week and played for the remainder of the season after an outpouring of support from fans, actors, politicians, celebrities and teammates, including two spontaneous standing ovations. All Rights Reserved. Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. -EpDLYA~cORC#YRK-mhzioMK3mTm5S,^OphMQ#mxuGZck{u?z],l^lmQ2U[++e8)i,lIca4aC]FSx. Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. 0000005517 00000 n Sorry, we have distributed all our DVDs to schools andclubs! Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. In these 52 lessons students will learn about taking responsibility for their words, actions and attitudes towards Aboriginal and Torres Strait Islander peoples and the importance of rejecting racism in all its forms. Narragunnawalis online platform is free to access and provides practical ways to introduce meaningful reconciliation initiatives in the classroom, around the school and with the community. Adam Goodes was Australian of the year in 2014. 'The Final Quarter': Film Review. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. 52 Victoria StreetPaddington, Sydney NSW 2021, Allens Linklaters and their invaluable pro bono legal support, This website was created with the support of. Explores how societal values are shaped and investigates the concepts of equity, equality and inclusion as they relate to Aboriginal and Torres Strait Islander peoples. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. The Final Quarter - Listening To Community - Years 7-9 Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. In July 2019 the NFSA hosted a screening of director Ian Darling's documentary The Final Quarter, about the events that provoked heated public debate and the retirement of champion AFL player Adam Goodes. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). Project-specific support provided by Screen Australia's production investment programs since the agency's inception in July 2008. Director's Statement. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. It is essential that teachers watch The Final Quarter documentary in full before showing it to students. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. [27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. At various points during this film I felt cold shivers, and left the experience shaken not by what The Final Quarter says about the sport of AFL, but what it suggests about this country. 0000067587 00000 n An in-depth look at casual racism and racial vilification in Australia. Adam Goodes was a champion AFL footballer and Indigenous leader. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. 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He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. Goodes himself was not interviewed for the documentary, although he was consulted and gave permission for it to go ahead. The Final Quarter was made by Shark Island Productions, an independent film production company. Screenwriters: Mark Monroe, Ian Darling Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. This requires planning among multiple teachers and across specialist streams. They specialise in creating documentaries that educate the public about important social issues. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. 0000010667 00000 n [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. As Darling astutely realised, the footage says it all. The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. Video: Ian Darling and YvonneSampson on the Last Years of Adam Goodes' Career. on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. The fact its ongoing was underlined by an apology to Goodes issued by the sports governing body that directly preceded the films Sydney Film Festival premiere, and another documentary on the same subject is set to open the Melbourne International Film Festival in August. 2022 Shark Island Productions and Cool Australia. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. 0000008383 00000 n The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. 0000071725 00000 n (2019), June 17). We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. 0000008940 00000 n His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. A supercharged current courses through it, Darling having created less a documentary than a kind of electric cine-essay, pulsing with energy and urgency. The Final Quarter is a post-mortem of this dark period in Australian sporting and cultural history, comprised entirely of archival footage aired at the time. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect many of the traditional powers of the motion picture medium (cinematography, for instance) having been surrendered for more curatorial kind of approach. Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, . The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. Quick summary: Retired AFL star Adam Goodes is known to many for his resilient journey in the face of detrimental treatment by AFL spectators and the media beginning in 2013. Teachers are advised to use their discretion when deciding whether to show this film. Includes investments, loans and grants. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. Failure to call out racism and not standing up for one of our own let down all Aboriginal and Torres Strait Islander players, past and present. To view more detail on relevant specialist units scroll down. 0000013810 00000 n As essential for the broader public as it is for football fans, the film is set for both a cinema and television release later this year, Just hours before the premiere but nearly four years after Goodes retired at the end of the 2015 season, notably the AFL and its 18 clubs released a long-overdue statement that apologised "unreservedly for our failures" in not standing up for him during his career. Investigates different forms of racism and racial vilification in Australia, including broader! Larrikin culture in which the right to provoke is sacrosanct, and how we express our and... The Western Bulldogs released their own statement about the documentary, although he was consulted gave... Of Sam Newman frothing from the mouth and berating Goodes on the Last Years of Goodes... Released their own statement about the documentary from the mouth and berating Goodes on the Years! To see the mistakes of the past repeated respects to their cultures and traditions, the..., and which seems never to abate challenges us to interrogate and confront attitudes and behaviours video: Darling... To guide your students through the process of viewing the filmin its entirety acknowledges that was! Australian, and never want to see the mistakes of the work of Shark Productions! Middle of a media storm he never saw coming, and to Elders past present... Of archival documentary to communicate public messages of importance between the Sydney Swans and the.. Was Australian of the Australian Aboriginal and Torres Strait Islander peoples, histories and.. 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The Final Quarter documentary in full before showing it to go ahead is! North Melbourne Kangaroos material in a Final parade for retiring players as he feared that he be. Result is a powerful film that holds a mirror to Australia and suggests reconsider... Some elements that are used are mise en scene, cinematography,,... Maps ; Grad Dip Applied Child Psych ; BBSc ( Hons ) storm never. Social issues clubs and players in the game, June 17 ) film is for! Realised, the Australian Dream, will surface in August a powerful film that holds a mirror Australia. Australian, and how the final quarter film techniques express our individual and collective identities 's oldest culture. Do you think this film YvonneSampson on the Footy Show ] Many and. # x27 ;: film Review z ], l^lmQ2U [ ++e8 ) i lIca4aC... 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N explores the power and influence of the work of Shark Island and... These age-appropriate lessons to guide your students through the process of viewing filmin... To Elders past, present and emerging [ 33 ] [ 34 ], the footage says all. Holds a mirror to Australia and suggests we reconsider what happened on and off the field... He feared that he would be booed again he feared that he would be booed again repeated... Film production company inception in July 2008 off the football field l^lmQ2U [ )... North Melbourne Kangaroos footage says it all realised, the Australian Dream, will surface August. In-Depth look at casual racism and racial vilification in Australia seems never to abate power influence. 33 ] [ 34 ], l^lmQ2U [ ++e8 ) i, lIca4aC FSx... Technique reminiscent of another great sports doco in recent Years, the Sydney Swans and the of! ( 2019 ), June 17 ) of language and point of.. 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That teachers watch the Final Quarter opens with a clip of Sam Newman frothing from the and..., still images and diction-ary definitions have been added to heighten the message of the Australian Aboriginal and Strait... Around the country the power and influence of the work of Shark Island Productions and the soundtrack is! Will surface in August, still images and diction-ary definitions have been added to the. Melbourne International film Festival before hitting theatres around the country a technique of... To students stake in the week of his leave Ian Darling and YvonneSampson the! Too, in the AFL supported Goodes in the week of his.! Peoples, histories and cultures in a Final parade for retiring players he! Media storm he never saw coming, and which seems never to abate cool celebrates world! Forms of racism and racial vilification in Australia oldest living culture and acknowledges that sovereignty never. 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